But first, 2 things. Barcelona has a bike-share system called Bicing that looks fantastic. You pay a yearly fee of about $60 and for that you can use these bikes which are everywhere. There are time limits to prevent hogging, and it seems there’s always a bike available. The other thing is nostalgic: almost across the street from the hotel is a Spar Market, a convenience store that used to be the world’s largest grocery chain. I used to be groceries at one of these in Austria for many years during the summer.
So today is our chance to see a some buildings done by Barcelona’s defining architect, Antoni Gaudi. Working in a style called Modernisme, much like the familiar Art Nouveau, this school of aesthetics softened the industrial revolution, bring nature into the work, and, enjoyably, avoided straight lines and sharp corners.
Gaudi’s first public works, oddly enough, are two lampposts in the Placa Reial, right near our hotel, so that’s where we went first. They’re fine, but not quite revolutionary. The dragon and Valkyrie helmet are nice touches though.
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Heading out of the old city, we went to the Block of Discord, where the Casa Batllo is located. Now get this…Casa Batllo is a remodelling job. Before and after:
Can you imagine the client presentations? “I’m going to redo the facade with balconies that look like skulls with iron eyelashes, bones propping the windows open, a dragon’s back on the roof with a bulb of garlic. All that will be decorated with pretty flowers done in mosaics. Oh, also some fantastic chimneys on top that no one will ever see.”
The inside is even better with not a single straight line in sight, a jellyfish chandelier that swirls outward to meet the walls and windows, another ceiling with just the idea of a light fixture emerging, a fireplace that looks like a mushroom with seating for two. It’s a hodgepodge of things that shouldn’t be in a single place but somehow it all hangs together beautifully.
Although everything we saw today was spectacular, at the end we agreed this was our favorite of them all.
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La Pedrera (The Quarry), or Casa Mila, is a large apartment complex with waves of balconies and windows on the outside as well as rollercoasters of chimneys up top. It’s not as riotous and outrageous as the last place, which is probably why it wasn’t our favorite.
The deep courtyard is beautiful, but once inside the building itself, I was surprised to see things got a little boring. They’ve decorated some apartments with period furnishings, but that only made it less interesting.
The roof was pretty spiffy and even had a view of, off in the distance, the Sagrada Familia church.
It was time for lunch so we had our first paella in Spain. It turns out in Barcelona they don’t use saffron for any of their many paellas so this was unexpectedly brown. It tasted pretty good, if heavy on the salt. I’m sure we’ll find better.
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Barcelona’s iconic image is Sagrada Familia, a church that Gaudi started, but never finished. Nor did he expect to. As originally intended, it’s completely financed by donations so it’s taking a while to complete. From the looks of things, it might not be for quite a while. I’m not sure why, the building is going on following the general shape Gaudi envisioned, but with designs by other architects. Our first view was of the Passion façade, angular and severe.
Now this is really strange, but there’s a resemblance between the church spires we see here and the temples we saw in Khajuarho, India. Surely it’s just a coincidence.
Much better is the facade Gaudi actually completed, the one depicting the nativity, complete with angelic orchestra (but really, is there any other kind?).
There’s probably some religious significance to this turtle, but it’s more fun just to giggle at its predicament.
We took one of the elevators up, well-warned. It’s easy to see why some people might have problems. Once up there we could cross the bridge between spires very high in the air. At least taking the stairs down was easier.
Unsurprisingly, the interior is far from done, but in place are Gaudi’s columns that branch out like trees reaching toward the sky.
It was interesting to see a little of Gaudi’s work process. He would drape chains upside down to shape and arrange his characteristic arches. If you look at the dangling stuff upside down, the building takes shape. Sort of.
Having had quite enough visual activity for the day, we decided to go eat. Dinner was another tapas bar, a little calmer, so I’m able to show you some of our eats. The light red Spanish wine was simple and delicious. We had, among other things, salt cod (bacalhau) fritters, fantastic goat cheese, chorizo and, unfortunately (Tom tried to warn me, but too late), a fresh blood sausage (ick ick ick). Another glass of wine took most of that away though.
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